Program: #12-39, Air Date: 09/17/12An unusual (and superb) English-based performance with particular focus on the rarely-heard songs of Henry Lawes.
NOTE: All of the music on this program was recorded at the Coolidge Auditorium of the Library of Congress in collaboration with La Maison Française at the Embassy of France, in cooperation with the French-American Cultural foundation. For information on the many activities and concerts at the Maison, you may explore the site: www.houseoffrancedc.com
Additional support was provided by SAFRAN… committed to protecting people and property around the world. SAFRAN – a world leader in biometrics, fingerprint identification, and explosive detection systems. And by the Bureau Export association. For more information, you may explore: www.french-music.org
Pandolfo began his research in the field of renaissance and baroque musical idioms around 1979 together with violinist Enrico Gatti and harpsicordist Rinaldo Alessandrini. Studied then with Jordi Savall at the Schola Cantorum Basiliensis in Switzerland. In 1982 he became a member of J.Savall's ensemble Hesperion XX and played with him until 1990 throughout the world, and making dozens of recordings (among them Bach's Kunst der Fuge, J.Dowlands Consort music, Neapolitan Renaissance Music , etc. etc.). In 1990, after the huge success of his first recording as a soloist (C.P.E.Bach's Sonatas for Viola da Gamba), he was nominated as Professor of viola da gamba at his alma mater, the Schola Cantorum Basiliensis in Basel. Since this appointment, he concentrates his teachimg activities in Basel, whilst his performing carrier takes him all over the world, playing with artists such as Emma Kirkby, Rolf Lislevand, Rinaldo Alessandrini, Mitzi Meyerson, Jose' Miguel Moreno and many others. Since 1992 he directs Labyrinto, a group of four or five viola da gambas, which is dedicated to the huge "consort music" repertoire. Paolo Pandolfo has recorded for radio and television stations world wide, and for record companies such as Astree, Emi, Philips, Erato, Harmonia Mundi, Tactus, Simphonia. Since 1997 all his recordings are by the spanish leading record company GLOSSA. He started his collaboration with them in 1997 recording the first world integrale of A.Forqueray's "Pieces de Viole", followed by "The Spirit of Gambo"(music by T.Hume with Labyrinto and Emma Kirkby). His first unaccompained recital, A Solo, was pointed as one of the best releases of the year 1998 by Gramophone . He dedicated two releases to the M.Marais': "Le Labyrinthe et autres histoires", dedicated to charachter music by the great french composer and “Le Grand Ballet”, focused on his gestures and dance music. His trancription of J.S.Bach's six Solo Suites, released in 2000, has been beyond its great success an important musical event. All his recordings have received amazingly positive reviews as well as many awards by the most important musical magazines (Gramophone, Le Monde de La Musique, Goldberg Scherzo, Diapason, etc.). The Abel Cd "The Drexel Manuscript" is presently running for the Best Year's Cd in the category "Instrumental" for the BBC Music Magazine. He is invited to perform an to give masterclasses all over the world. He has been described as the Yo Yo Ma of the viol. Paolo Pandolfo builds bridges between the past and the present, bringing spontaneous and immediate life in the perfomance of baroque and renaissance music using medias such as improvisation, transcriptions and composition of modern pieces, being conviced that the patrimony of ancient music can be a powerful inspiration for the future of the western musical tradition.
--JOHANN SEBASTIAN BACH (1685-1750): Cello Suite No. 1 in G, BWV 1007 (arranged for viola da gamba).
--CARL FRIEDRICH ABEL (1723-1787): Selections from the Drexel Manuscript for viola da gamba.
--JOHANN SEBASTIAN BACH (1685-1750): Cello Suite No. 5 in c minor, BWV 1011 (arranged for viola da gamba).
JOHANN SEBASTIAN BACH (1685-1750), CARL FRIEDRICH ABEL (1723-1787)