Three from England

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Program: #16-08, Air Date: 02/15/16

Consort music of Christopher Tye, Dowland’s Book 2, and a lovely program from Nigel North .

I. In Nomine—Works for Recorder Consort (Boreas Quartett Bremen/Hans Tol). CPO CD 777 897-2.

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Named after the god of the north wind, the recorder quartet Boreas Quartet Bremen’s superb technique, perfect intonation, and incredible precision led by Han Tol are perfect partners with this selection of works from the collection In Nomine by English Renaissance composers Christopher Tye and John Taverner. Composed with a breadth of character and style, the In Nomine pieces were unique for their time with the manuscript formatted in a way that it wasn’t placed on a music stand, but rather on and read from a flat surface. This along with the score being readable depending on the musician’s proximity to it led to a manner of performing necessitating a closed circle seating of smaller and more intimate dimensions. Luminously detailed readings by Boreas who also play recorders based on copies of original instruments by the famed instrument building Schnitzer family of Nuremberg for this recording.

Christopher Tye (ca. 1505-ca. 1572) “In Nomine” – Works for Recorder Consort
John Taverner (ca. 1490-1545) In nomine

In nomine Reporte;
In nomine Surrexit non est hic;
In nomine Crye;
Dum transisset Sabbatum III;
In nomine Howld fast;
In nomine Seldom sene;
In nomine Blamles;
Laudes Deo;
In nomine Rounde;
In nomine à 4;
In nomine Re la re;
In nomine à 6;
Christus resurgens;
In nomine Free from all;
In nomine Trust;
In nomine Saye so;
In nomine I come;
Dum transisset Sabbatum II;
In nomine My deathe bedde;
In nomine Weepe no more Rachell;
In nomine Rachel‘s Weepinge;
Amavit eum Dominus;
Rubum quem;
In nomine Farewell my good 1, for ever;
In nomine Follow me;
In nomine Beleve me;
In nomine à 5;
O lux beata Trinitas

II. John Dowland: The Second Booke of Songs or Ayres (1600) (Maria Skiba/Frank Pschichholz). DUX CD 1192.

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John Dowland, of English or possibly Irish origin, was born in 1563, probably in London. He was a lutenist of distinction but failed, allegedly because he was a Catholic, to win a position in the royal service, and therefore sought his fortune abroad at Kassel and later, in 1598, at the court of Christian IV of Denmark. He was forced by debt to return to England in 1606 and eventually won appointment as one of the King’s Lutes in 1612. He performed during the funeral ceremonies of King James I and ironically dying the following year. Dowland was the composer, in particular, of one of the best-known songs of the period, Flow, my teares, music much imitated and epitomising the fashionable humour of the day - melancholy.

‘The entire Second Booke of Songs or Ayres has been recorded by the Berlin based Polish soprano Maria Skiba and lutenist Frank Pschichholz. It is an absolutely pure approach to Dowland: straight vibrato-less voice carrying emotions through dynamics and strong rhetoric, and the lute accompaniment also without fuss…. As we can see, for Pschichholz the performance of Dowland and the exploration of the composer has become a life task. In the booklet (…) you can find his [Pschichholz’s] very interesting essay on Dowland…
Listening to this CD is a great pleasure.’
Dorota Szwarcman

John Dowland

1 I saw my Lady weepe 4:46

2 Flow my teares fall from your springs 4:21

3 Sorow stay, lend true repentant teares 3:33

4 Dye not before thy day 1:43

5 Mourne, mourne, day is with darknesse fled 1:43

6 Tymes eldest sonne, old age the heire of ease 1:26

7 Then sit thee downe, and say thy Nunc demittis 1:13

8 When others sings Venite exultemus 1:20

9 Praise blindnesse eies, for seeing is deceipt 2:12

10 O sweet woods, the delight of solitarienesse 8:28

11 If fluds of teares could clense my follies past 2:26

12 Fine knacks for Ladies, cheap, choise, brave and new 2:47

13 Now cease my wandring eyes 2:47

14 Come ye heavie states of night 2:28

15 White as Lillies was her face 5:38

16 Wofull heart with griefe oppressed 2:55

17 A Sheperd in a shade his plaining made 2:06

18 Faction that ever dwells in court 3:08

19 Shall I sue, shall I seek for grace 3:30

20 Tosse not my soul 3:08

21 Cleare or Cloudie sweet as April showring 3:43

22 Dowlands adew for Master Oliver Cromwell 3:05

III. Nigel North—Go from my Window (Nigel North). Linn CD BKD 176.

Nigel North - Go from my Window


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Nigel North has an unrivalled reputation as a lutenist. His style merges impeccable technique with a jazz-like improvisational ability, which makes repertoire like Dowland ideal. The great lutenist composers of the sixteenth century were masters of improvisation, but, of course, we have no concrete evidence of the forms that these improvisations took. 'The versions that are handed down to us in lute tablature are often so well worked out and complicated that they may represent a parallel track to the improvised version which we will never hear!' says North.
Of the composers represented on Go From My Window, Dowland needs no introduction. Of the previous generation, John Johnson is now less well known. He was one of Queen Elizabeth I's three court luteninsts for fifteen years. Employing his special style of 'division writing', Johnson wrote many beautiful solos and duets. As North says: 'While his 'Walsingham' is breathtakingly simple, 'Carman's Whistle' may sound simple but is actually technically very demanding. I doubt that even Johnson could have improvised this setting.'

1. Greensleeves - Anon / Francis Cutting
2. Robyn - Anon
3. Tinternell (or Short Almain) - Anthony Holborne
4. My Lord Willoughby's Welcome Home - John Dowland
5. My Lord Willoughby's Welcome Home - William Byrd
6. Walsingham - John Johnson
7. Walsingham - John Dowland
8. The Old Medley - John Johnson
9. Carman's Whistle - John Johnson
10. John, Come Kiss Me Now - Anon
11. The Leaves Be Greene - John Danyel
12. Une Jeune Fillette - Daniel Batchelar
13. The Spanish Pavan - Thomas Robinson
14. The Woods So Wild - William Byrd
15. Go From My Window - Edward Collins
16. Go From My Window - John Dowland
17. Loth To Depart - John Dowland

Composer Info

Christopher Tye (ca. 1505-ca. 1572), John Taverner (ca. 1490-1545), John Dowland, Francis Cutting, Anthony Holborne, William Byrd, John Johnson, John Danyel, Daniel Batchelar, Thomas Robinson, Edward Collins

CD Info

CPO CD 777 897-2, DUX CD 1192, Linn CD BK 176.