Program: #04-36🎁 Air Date: Aug 30, 2004
Continuing the theme of the influence of this great Franco-Flemish composer from the 2003 Holland Festival of Early Music at Utrecht, this week we hear the Trinity Baroque illustrate de Monte's influence on the English composer William Byrd.
This program is part of a special series.
Continued from: ⮜ #04-13 🔒👑Philippe de Monte at Utrecht, Part 3
This program is Free for all, thanks to this generous Preservation Grant:
Next: ⮞ #04-37 🔊🎁Hildegard von Bingen: The Origin of Fire
The program is supported in part by Radio Nederland and the Royal Netherlands Embassy in Washington, D.C.
PHILIPPE de MONTE:
- from Liber secundus sacrarum cantionum a 6, 1587: Advenit ignis divinus.
- from Liber secundus sacrarum cantionum a 5, 1579: Misere mei, Deus.
- from Liber primus missarum: Missa Confitebor tibi Domine: Kyrie.
JACOBUS CLEMENS NON PAPA (c. 1515–c. 1555):
- Ego flos campi.
PHILIPPE de MONTE:
- from Liber primus sacrarum cantionum a 5, 1572: Dixit Tobias.
- from Liber tertius sacrarum cantionum a 5, 1574: Ad te, Domine, levavi animam.
- Super flumina Babylonis (1583).
WILLIAM BYRD:
- from Gradualia sed cantionum sacrarum, liber secundus, 1607: Quomodo cantabimus; Resurrexi.
- from Liber primus sacrarum cantionum, 1589: Laetentur coeli.
THOMAS TALLIS (c.1505–1585):
- Loquebantur variis linguis.
WILLIAM BYRD:
- from Gradualia ac cantiones sacrae, 1605: Ave verum corpus.
This program is part of a special series.
Continued from: ⮜ #04-13 🔒👑Philippe de Monte at Utrecht, Part 3
Next: ⮞ #04-37 🔊🎁Hildegard von Bingen: The Origin of Fire
Composer Info
Philippe de Monte (1521-1603), Johannes Tollius (c.1550-c.1603)
